{"id":66,"date":"2015-12-19T22:36:42","date_gmt":"2015-12-19T21:36:42","guid":{"rendered":"http:\/\/unlike.io\/?page_id=66"},"modified":"2017-11-27T19:57:41","modified_gmt":"2017-11-27T18:57:41","slug":"conferences","status":"publish","type":"page","link":"https:\/\/unlike.io\/en\/projet\/conferences\/","title":{"rendered":"lectures"},"content":{"rendered":"
Mediation<\/b><\/u><\/span><\/span><\/p>\n \u201cIndeed, everything indicates that the \u201cexpressivist\u201d tendency which leads people to display more and more elements of their personals identities on the web is not about to come to an end. It is thus necessary to understand the social, cultural, and psychological motivations of this phenomenon, since the exhibition of the self does not signify a renouncement of the control of one\u2019s image. On the contrary, it bears witness to a desire, which could almost be called strategic, to influence others by showing and hiding certain traits of one\u2019s identity. This paradox is at the heart of the debates surrounding privacy on the Web 2.0.\u201d<\/span><\/span><\/p>\n Identity as Relational Strategy<\/i> by Dominique Cardon, Revue Herm\u00e8s n\u00b053, Traceability and Networks, 2009.<\/span><\/span><\/p>\n \u201cWhen, with other researchers, we began to study digital cultures, we first celebrated the disappearance of borders and a certain form of freedom or serendipity. At that time the question of digital identity took a much different form. Today this notion is more concerned with the problems of managing identities over vast digital platforms. The management of user profiles is an example, as seen in the movement which insists on the need to avoid anonymity or pseudo-anonymity in order to impose a certain similarity or resemblance between so-called classic identity and digital identity. Thus, while the first studies of digital identity tended to emphasize the polyphonic and free aspect of identity, current debates concentrate on the dilemma of formatting and the traceability of identities, questions which weren\u2019t so pressing a decade or so ago.\u201d<\/span><\/span><\/p>\n Identity in the Age of Digital Humanties<\/i>, Milad Doueihi, interview with Jean Paul Fourmentraux<\/i>, 7 July 2014 (p.34), in Digital Identities. Expression and Traceability<\/i>, Les essentiels d\u2019Herm\u00e8s, CNRS \u00e9dition.<\/span><\/span><\/p>\n The \u201cSocial Networks and Digital Identity\u201d project comprises two separate parts:<\/b><\/span><\/span><\/p>\n Ongoing and past workshops and events<\/b><\/span><\/span><\/p>\n Upcoming workshops:<\/b><\/span><\/span><\/p>\n Laure Boyer<\/b> holds a PhD in contemporary art history and a masters degree in library, information, and communication science. She is a lyc\u00e9e librarian and mediator for literacy outreach. She works with youth on the fields of digital education and digital identity. In charge of mediation for the Unlike <\/i>project, education and information for the media, Social Networks and Digital Identity<\/i> \u2013 the Lieu multiple \u2013 Drac Poitou-Charentes, 2015-2016. Communications and community manager pour le Consortium (Poitiers) for the exhibition La carte du tendre<\/i> by Alexandra Pouzet, September-December 2015 at the international level. Project manager for development educational kits for the Canop\u00e9 network, department of research and development on the usage of digital education.<\/span><\/span><\/p>\n <\/p>\n This Tumblr is a curation of 700 items on digital identity and Selfies in the practices of the teenagers. <\/p>\n Patrick Tr\u00e9guer<\/b> Director of the Lieu Multiple, digital creation center of the Espace Mend\u00e8s-France, since February 2000. Organizer of events and arts programming at this site. With the team at the Lieu Multiple, he regularly organizes concerts and performances in the Poitiers Planetarium, artist residencies within the center for scientific culture, and numerous creative sound workshops, as well a project for handicapped publics: \u201chandicaps and digital creation\u201d. He is also a composer and musician within the Lobe (an improvisational orchestra conducted by Claire Bergerault).<\/span><\/span><\/p>\n patricktreguerblog.wordpress.com\/<\/a> <\/p>\n \n","protected":false},"excerpt":{"rendered":" Mediation \u201cIndeed, everything indicates that the \u201cexpressivist\u201d tendency which leads people to display more and more elements of their personals identities on the web is not about to come to an end. It is thus necessary to understand the social, cultural, and psychological motivations of this phenomenon, since the exhibition of the self does not … <\/p>\n","protected":false},"author":1,"featured_media":623,"parent":2,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n\n
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\n. History of the web from its birth in 1993 (Tim Berners-Lee) and the stakes of the World Life Web
\n. Tracking and cookies, a question of tracks and traceability
\n. Tools for knowing who and what is tracking us
\n. Digital identity: self-exteriorization and self-simulation
\n.Selfies: a polemical but nonetheless creative subject
\n. History of the selfie (from Van Eyck to Eminem, by way of the photo booth)
\n. Booktubing and booktubers: online video at the service of books and reading
\n. Works on Selfies made by students will be exhibited<\/strong> at the Canop\u00e9 in Poitiers concurrently with the \u201cUnlike\u201d exhibition from 2 to 26 February 2016<\/span><\/span><\/li>\n<\/ul>\n\n
<\/a><\/li>\n<\/ul>\n
\nunlikeselfie.tumblr.com\/<\/u><\/span><\/span><\/span><\/a>
\n<\/span><\/span>laureboyerphoto.blogspot.fr\/<\/u><\/span><\/span><\/span><\/a>
\nColumn in the online review <\/span><\/span>L\u2019Oeil de la photographie<\/u><\/span><\/span><\/span><\/a><\/p>\n
\npatricktreguer.tumblr.com\/<\/a>
\nLieu multiple<\/a><\/p>\nRessources<\/h3>\n
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