{"id":705,"date":"2017-11-27T19:53:27","date_gmt":"2017-11-27T18:53:27","guid":{"rendered":"http:\/\/unlike.io\/?page_id=705"},"modified":"2017-12-03T17:45:09","modified_gmt":"2017-12-03T16:45:09","slug":"manifeste","status":"publish","type":"page","link":"https:\/\/unlike.io\/manifeste\/","title":{"rendered":"Manifeste Unlike"},"content":{"rendered":"<p><span style=\"color: #003366;\"><strong>Manifeste<\/strong><\/span><\/p>\n<p>Bashing sur Facebook. Il est temps de montrer du doigt celui qui a impos\u00e9 le \u00ab like \u00bb<span id='easy-footnote-1-705' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/unlike.io\/manifeste\/#easy-footnote-bottom-1-705' title='Sur Facebook, on ne peut \u00ab unliker \u00bb seulement lorsque l\u2019on a \u00ab lik\u00e9 \u00bb. Notre Like s\u2019efface alors, mais sans d\u00e9montrer notre changement d\u2019avis. Pire, on ne peut jamais \u00ab unliker \u00bb et afficher directement son d\u00e9saccord sur un propos, une image, la position sociale d\u2019un de nos \u00ab amis \u00bb des r\u00e9seaux.'><sup>1<\/sup><\/a><\/span> comme seule posture enthousiaste de notre soci\u00e9t\u00e9. Applaudissement virtuel oblig\u00e9, le pouce en l\u2019air nous confisque le pouvoir de dire NON. Et, lorsqu\u2019un artiste comme Thomas Cheneseau, qui scrute et sculpte les r\u00e9seaux sociaux, imagine un dispositif d\u2019exposition pour conjuguer le m\u00e9dium Facebook : JE like, TU likes \u2026 UNLIKE ! Cheneseau convoque sa g\u00e9n\u00e9ration pour disserter sur l\u2019identit\u00e9 num\u00e9rique, autour d\u2019une exposition manifeste.<\/p>\n<p><span style=\"color: #003366;\"><strong>Nouveau M\u00e9dium<\/strong><\/span><\/p>\n<p>Dans notre monde expressiviste<span id='easy-footnote-2-705' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/unlike.io\/manifeste\/#easy-footnote-bottom-2-705' title='Selon Dominique Cardon ce monde contemporain o\u00f9 nous publions toutes nos donn\u00e9es et le partage de celle-cie est devenu pour tous ses habitants un monde expressiviste. '><sup>2<\/sup><\/a><\/span>,r\u00e9ticul\u00e9 \u00e0 l\u2019extr\u00eame qui se globalise \u00e0 coup de lib\u00e9ralisation digital, il est grand temps de proposer un nouveau protocole num\u00e9rique pour refondre le web comme objet social mondialis\u00e9. Au centre de cette mutation post internet Facebook n\u2019est plus dor\u00e9navant qu\u2019une image de la nature web. Et les artistes que r\u00e9unit UNLIKE sont les voix (voies) \u00e0 suivre pour affronter la disruption technologique<span id='easy-footnote-3-705' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/unlike.io\/manifeste\/#easy-footnote-bottom-3-705' title='Disruption, bouleversement annonc\u00e9 par Clayton Christensen dans sa th\u00e9orie de l\u2019innovation et de la disruption technologique.'><sup>3<\/sup><\/a><\/span> contemporaine. A Poitiers ils sont 14 \u00e0 imaginer 13 fa\u00e7ons de se forger une identit\u00e9 num\u00e9rique \u00e0 part en d\u00e9tournant, d\u00e9routant, jouant, phagocytant, banalisant, manipulant le r\u00e9seau social. R\u00e9sultat, ils en font un m\u00e9dium de plus, adoptant la posture du sculpteur face \u00e0 une nouvelle mati\u00e8re \u00e0 modeler, un land art post digital.<\/p>\n<p><span style=\"color: #003366;\"><strong>Exp\u00e9rience<\/strong><\/span><\/p>\n<p>Trente ans apr\u00e8s les <em>Immat\u00e9riaux<\/em><span id='easy-footnote-4-705' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/unlike.io\/manifeste\/#easy-footnote-bottom-4-705' title='Exposition manifeste imagin\u00e9e par le philosophe fran\u00e7ais Jean Fran\u00e7ois Lyotard (1924\/1998) en 1985 au Centre George Pompidou, Les Immat\u00e9riaux, exposition ni technicise ni technophobe, mettait en sc\u00e8ne une nouvelle situation dressant un d\u00e9fit pour la pens\u00e9e (JL D\u00e9otte).'><sup>4<\/sup><\/a><\/span>,et ses exp\u00e9riences (t\u00e9l\u00e9matiques, sc\u00e9nographiques, m\u00e9diatrices, interactives, immersives, philosophioques\u2026) de m\u00e9ta exposition, UNLIKE montre l\u2019immat\u00e9rielle mati\u00e8re du r\u00e9seau \u00e0 l\u2019\u0153uvre \u00e0 travers une vraie proposition plastique et artistique. Chacun des artistes internationaux d\u2019UNLIKE d\u00e9montre qu\u2019aujourd\u2019hui l\u2019enjeu n\u2019est plus d\u2019exposer sur internet mais exposer le r\u00e9seau. Et Thomas Cheneseau signe ce manifeste d\u2019exposition 3.0 en rassemblant ici ces flux mondialis\u00e9s dans une chapelle du 12e si\u00e8cle : lieu \u00e0 vivre, \u00e0 fl\u00e2ner, \u00e0 voir, \u00e0 \u00e9couter, \u00e0 communiquer et \u00e0 m\u00e9diter ; il cr\u00e9e une r\u00e9ponse \u00e0 la dystopie d\u2019une vie algorithmique o\u00f9 le code serait \u0153uvre. Il pose l\u2019\u00e9quation entre cr\u00e9ation (artistique, esth\u00e9tique) et pouvoir (m\u00e9diatique, p\u00e9dagogique). Une critique magnifi\u00e9e par une monstration au sein m\u00eame d\u2019un dispositif r\u00e9tentionnel ancestral (une chapelle), architecture d\u2019un pouvoir religieux (m\u00eame d\u00e9sacralis\u00e9) qui a jadis servi, comme Facebook aujourd\u2019hui, \u00e0 contr\u00f4ler les traces sociales, physiques et spirituelles. Cheneseau et ses amis r\u00e9alisent ainsi une \u0153uvre-r\u00e9seau, une \u0153uvre ouverte qui nous offre une nouvelle exp\u00e9rience \u00e0 la fois esth\u00e9tique et humaine. Une exposition o\u00f9 l\u2019on peut \u00e0 nouveau s\u2019investir avec foi dans l\u2019\u0152uvre.<\/p>\n<p><span style=\"color: #003366;\"><strong>Seconde Nature<\/strong><\/span><\/p>\n<p>L\u2019habitude est une seconde nature ! \u00e9crivait Saint Augustin<span id='easy-footnote-5-705' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/unlike.io\/manifeste\/#easy-footnote-bottom-5-705' title='Penseur, homme cl\u00e9 de l\u2019\u00e9mergence du MOI en Occident, Saint Augustin d\u2019Hippone (354\/430), est l\u2019un des&lt;br \/&gt;\nquatre P\u00e8res de l\u2019\u00c9glise occidentale.'><sup>5<\/sup><\/a><\/span>. En accueillant UNLIKE, sur les traces de son saint patron, la chapelle des Augustins de Poitiers nous enseigne une nouvelle attention \u00e0 tenir face notre usage \u00ab par habitude \u00bb des r\u00e9seaux sociaux. Et si UNLIKE, r\u00eav\u00e9e comme exp\u00e9rience spatio temporelle no\u00e9tique<span id='easy-footnote-6-705' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/unlike.io\/manifeste\/#easy-footnote-bottom-6-705' title=' No\u00e9tique, du grec noesis, se rapporte en philosophie \u00e0 la no\u00e8se, l\u2019acte par lequel la pens\u00e9e vise son objet.'><sup>6<\/sup><\/a><\/span>, se vit comme une promenade r\u00e9flexive entre nos deux \u00e9cosyst\u00e8mes (le r\u00e9el et le digital), cette exposition propose \u00e0 chaque artiste associ\u00e9 de revendiquer le droit \u00ab d\u2019Unliker \u00bb et surtout \u00e0 chaque \u0153uvre d\u2019UNLIKE de se revendiquer comme une part de la nouvelle identit\u00e9 du r\u00e9seau : celle d\u2019Objet Sacr\u00e9 d\u2019Art Contemporain, \u00e0 conjuguer au quotidien.<\/p>\n<p><strong><span style=\"color: #003366;\">Par Jean Jacques Gay<\/span><span id='easy-footnote-7-705' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/unlike.io\/manifeste\/#easy-footnote-bottom-7-705' title='Pr\u00e9sident de la commission de \u00c9critures et Formes \u00c9mergentes de la SCAM, Jean Jacques Gay est actuellement Chercheur au CITU (Laboratoire Paragraphe Universit\u00e9 de Paris 8), Critique d&amp;rsquo;art (membre de l&amp;rsquo;AICA), et Auteur-R\u00e9alisateur de films, d&amp;rsquo;expositions et de cr\u00e9ations multim\u00e9dias pour les t\u00e9l\u00e9visions, les mus\u00e9es et le web. Aux origines de &lt;a href=&quot;http:\/\/synesthesie.com&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;synesthesie.com&lt;\/a&gt;, et de s\u00e9ries jeunesse comme \u00ab Une Minute au Mus\u00e9e \u00bb (France 3) ou \u00ab M\u00e9mo \u00bb (France 5), Jean Jacques Gay assure le commissariat d&amp;rsquo;expositions originales d&amp;rsquo;acteurs contemporains de nouveaux m\u00e9dias, travaille sur des exp\u00e9riences pionni\u00e8res transm\u00e9dias, web TV, curations virtuelles, gamedoc &amp;#8230;. (\u00ab\u00a05 Semaines\u00a0\u00bb Louvre\/Arte, spamm.arte.tv Arte Creative, \u00ab Theatromania \u00bb Labex universitaires\/BnF) et poursuit des collaborations r\u00e9guli\u00e8res avec les m\u00e9dias fran\u00e7ais et internationaux.'><sup>7<\/sup><\/a><\/span> <\/strong><span style=\"color: #003366;\">&#8211;\u00a0 2016<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Manifeste Bashing sur Facebook. Il est temps de montrer du doigt celui qui a impos\u00e9 le \u00ab like \u00bb comme seule posture enthousiaste de notre soci\u00e9t\u00e9. Applaudissement virtuel oblig\u00e9, le pouce en l\u2019air nous confisque le pouvoir de dire NON. Et, lorsqu\u2019un artiste comme Thomas Cheneseau, qui scrute et sculpte les r\u00e9seaux sociaux, imagine un &#8230; <\/p>\n","protected":false},"author":3,"featured_media":635,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Manifeste Unlike - Unlike<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/unlike.io\/manifeste\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manifeste Unlike - Unlike\" \/>\n<meta property=\"og:description\" content=\"Manifeste Bashing sur Facebook. Il est temps de montrer du doigt celui qui a impos\u00e9 le \u00ab like \u00bb comme seule posture enthousiaste de notre soci\u00e9t\u00e9. Applaudissement virtuel oblig\u00e9, le pouce en l\u2019air nous confisque le pouvoir de dire NON. 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